Your Cart is Empty
⚠50% off code: SAMP50⚠
To be honest from the very beginning, the response to the question "which synthesizer should I choose for my project" is not as clear-cut as saying "You're making a modern pop song? Here's the perfect synth for you." If it were that simple, the music industry and the world of synthesizer manufacturing would have a completely different appearance. Throughout the years, there have been synthesizers that have become associated with a particular genre, despite not being originally designed for such genres. The beauty of synthesizers lies in their versatility - while one person may use a Roland Juno-106 for its gentle and warm pads, blending smoothly into multiple layers, another person may use it as the main focus with a lead patch that cuts through the mix. It doesn't make it more or less suitable for either application, but the fact that it can be used effectively for both is what has made it a highly desired synthesizer even decades after its release in 1984.
Undeniably, it would be highly unwise of me to compose an article about synthesizers without acknowledging a particular term composed of only four letters, which has acquired such an inseparable connection to that realm. Undeniably, it would be highly unwise of me to compose an article about synthesizers without acknowledging a particular term composed of only four letters, which has acquired such an inseparable connection to that realm. Moog.The Model D, a synthesizer that has such high value that even the present-day reissue is priced at $6,000, has become the top choice for creating funky leads and powerful basslines. Explore the Model D showcased in this Reverb video, where they provide a brief overview of its capabilities and demonstrate a selection of the incredible sounds that this legendary synthesizer can produce.
While Roland, Moog, and a few others laid the foundation for past synthesizers, contemporary companies like Behringer, Nord, Novation, Dave Smith Sequential, and Korg are now taking the spotlight in today's industry. However, with the rise of computers and producers shifting towards a software-based approach, synthesizer manufacturers and third-party companies began developing applications that replicated vintage sounds at a significantly lower cost. For example, Moog's renowned Model D is now available as an iOS app for just eight dollars. Combine that with a $60 AKAI device, and you have a powerful and affordable music production setup. MIDI controllerAnd for less than one hundred dollars, you can obtain the identical sound with the assistance of a USB-to-Lightning adapter. Once it's mixed, mastered, and released, only a few individuals would be capable of distinguishing any discrepancy. Those who can will surely envy your ability to achieve such proximity to the original hardware version while spending significantly less. This is just one illustration of the impact of software synthesizers (commonly referred to as "softsynths" - quite creative, don't you think?) on the musical landscape. They have transformed it from cumbersome, expensive instruments to a portable app that can be conveniently accessed and played around with during your lunch break at work.
All of the aforementioned points lead us to revisit the initial inquiry - how can I choose the most suitable synthesizer for my undertaking? We shall now examine several diverse alternatives and endeavor to unravel this enigma for you.
New Series: Synthesizers - Exploring the Three Categories Welcome to the start of an exciting series where we will dive deep into the mesmerizing world of synthesizers. In this collection of articles, we will break down the vast landscape of synthesizers into three distinct categories: hardware instruments, software instruments, and mobile apps. Let's begin with hardware instruments, the embodiment of traditional synthesizers. These tangible devices offer a tactile experience and are favored by many musicians for their unique sound and hands-on control. The second category we'll explore is software instruments. While there may be some overlap with mobile apps, software instruments have their own distinct advantages. They utilize the power of computers to deliver a vast array of sounds and versatility that can expand the creative horizons of any music producer. Finally, we will delve into the realm of mobile apps. Although closely related to software instruments, mobile apps have their own niche. They provide opportunities for musicians to explore a wide range of unique applications that are exclusively available on mobile devices. The convenience and portability of phones and tablets have made them a viable option for studio setups, revolutionizing the music production landscape in recent years. Join us on this journey as we unravel the fascinating universe of synthesizers and discover the endless possibilities each category holds. Stay tuned for the next installment in our series!
Just like the highly-priced Moog Model D, this option stands out as the most costly among all alternatives. If money is not a concern for you, then this could be the ideal playground you have always dreamed of. We often come across images of renowned synthesizer maestros surrounded by keyboards and dazzling lights, and that realm could become achievable for you, should you wish for it. However, in today's world, it appears that an increasing number of individuals are drifting away from hardware instruments whenever possible. Nonetheless, there are choices that offer unique sounds and are budget-friendly, and in certain instances, both at the same time, if you want to incorporate some hardware synthesizers into your home studio.
studio in your backpack. The OP-1's compact size and durable build make it perfect for mobile music production. It also features an intuitive interface with a built-in screen, allowing you to easily navigate through its various functions and parameters. Another standout feature is its built-in tape recorder, which adds a unique lo-fi character to your recordings. Additionally, the OP-1 has a built-in FM radio and microphone, further expanding its creative possibilities. Overall, the Teenage Engineering OP-1 is a versatile and innovative hardware synthesizer that offers endless possibilities for music production and exploration. digital audio workstationIver's Justin Vernon is amazed by the versatility of this device. It operates independently, allowing users to record samples and effortlessly assign them to pitches. The device also features a built-in antenna, enabling the capture of radio frequencies for enhanced manipulation. Additionally, the unit includes gyroscopic functionality which enables users to control any parameter of their choice simply by tilting and rotating the device. With this feature, musicians can have a more immersive and hands-on experience with their music. credits the OP-1During the main part of the creative process for the band's album "22, A Million" that was released in 2016, this compact yet highly influential synthesizer was widely appreciated. It would certainly enhance any recording studio, although I completely comprehend if the cost may give you pause.
Integrating the OP-1 into a live setup may present some challenges, but it is possible to overcome them. Artists like Bon Iver, Bear's Den, Childish Gambino, Allesandro Cortini of Nine Inch Nails, and Thom Yorke of Radiohead all successfully use the OP-1 in their live performances. The OP-1's patch recall system may require navigating through menus, which can be difficult in dimly lit venues, and the keyboard may not be forgiving for those with less nimble fingers. However, with a small clamp light and sufficient time between songs, it is feasible to switch to the desired patch. While it may require some trial and error to incorporate the OP-1 into your live setup, the sounds it produces will fill the live sonic space admirably. Despite being one of the smallest synthesizer options available, if you are unable to find a practical way to bring it to a gig, it may be more practical to integrate the OP-1 tracks into your backing tracks, especially if you encounter issues with inputs, monitoring, or other roadblocks.
I have a particular fondness for a synth in my studio that has gained quite a devoted fanbase in recent years - the Korg MicroKorg. YouTuber Dorian ConceptDorian Concept has produced a series of captivating videos entitled "Fooling around on," where he indulges in playing a compact synthesizer for approximately two minutes. Remarkably, one of his MicroKorg episodes has become a renowned demonstration of the synthesizer, sparking an explosion of online fame for both Korg's miniature synth and Dorian Concept himself. Weighing just a tad under 5 pounds, the MicroKorg may be small in size, but it packs a powerful punch with its impressive selection of ready-to-use presets and an extensively customizable engine that can rival much larger and considerably pricier synthesizers. Additionally, the MicroKorg boasts a complete vocoder engine, which has gained immense popularity in recent times. Its compact form factor adds to its allure, making it one of the most portable options available today.
The MicroKorg can be an incredibly groovy addition to a live performance, particularly if you find a way to utilize the vocoder. While it already comes with a gooseneck microphone, you can easily connect it to a more professional dynamic microphone like the Shure Beta 58 or a similar model with just an XLR-to-¼” cable. This allows for a seamless setup, and you'll be ready to go in no time. One great example of the keyboard's brilliance in unexpected areas is Michael Lessard of the progressive metal band The Contortionist. He utilizes the MicroKorg's vocoder for specific parts in their tracks, but also creatively incorporates it for atmospheric effects during the band's cosmic transitions between songs. To achieve this, he simply sets the keyboard to the side or stores it in a drawer within a road case, easily accessing and triggering it as needed. MIDIIf the small keys are not to your liking, you can opt for a larger controller, which seems to be a major drawback for many users of this synthesizer. However, even without the vocoder, the Korg MicroKorg is ideal for creating pads and lead patches for live performances. Whether you are using it in a live setting, recording in the studio, or simply playing around with it, the Korg MicroKorg is definitely a wise choice due to its affordability compared to other options available on the market.
In my opinion, the Behringer Deepmind stands out as the most cost-effective hardware synthesizer on the market. Whether you opt for the 6-voice or 12-voice model, with or without a keyboard, the Deepmind has made a lasting impression since its introduction in 2016 as Behringer's debut in the synthesizer world. Despite its attractive price, this synth is far from lacking in features. The Deepmind 6 offers six voices of polyphony, meaning you can play six notes simultaneously, while the Deepmind 12 provides twelve voices, as the name suggests. The programmability of this synthesizer is truly remarkable, with an insane modulation matrix that allows you to assign various effects to different parameters. You can customize each patch to your heart's desire. Imagine configuring the mod wheel to increase distortion, gradually close the filter cutoff, extend the release of the note, amplify the reverb mix, and slow down the delay time. If that's what you desire for a particular patch, the Deepmind can accommodate it, with plenty of room for even more modifications. This level of flexibility is not unique to the Deepmind, as other synthesizers offer similar features. However, based on my observations, the Deepmind surpasses them all in terms of capacity, regardless of their price tags.
If you are in need of a keyboard for live performances, the Deepmind is the ultimate choice among this list with its 49 full-size keys. Controlling the various parameters of this synthesizer is a breeze, whether using footswitches, expression pedals, or the built-in modulation wheel. Programming the synthesizer may take some time to get used to, especially when navigating through menus, but everything else can be easily adjusted using the faders on the unit's face. This makes it perfect for making quick adjustments during live performances or in the studio. The Deepmind is also ideal for creating pads, leads, bass sounds, or even programming something reminiscent of an acoustic or electric piano. No need to worry about additional instruments or virtual libraries, as the Deepmind has got it all covered.
These suggestions are solely based on my personal experience using various synthesizers in both studio settings and live performances. However, it is important to remember that you have the freedom to choose what suits your budget, studio setup, workflow requirements, and available space. The field of music is highly subjective in all aspects - writing, creating, producing, and consuming. Moreover, there are numerous approaches to achieving the desired end result. Therefore, take some time to conduct additional research on synthesizers, determine your specific needs based on your musical objectives, and once you have made a decision, make sure to allocate sufficient time to fully exploit the potential of your chosen synthesizer. Similar to myself, you might discover that you possess hidden gems in your collection that possess unique capabilities you have yet to realize.
If you're not into hardware synthesizers, keep an eye out for the upcoming article in this series that will explore software synthesizers, sample libraries, and other options that might suit your preferences, budget, and requirements.
